Thursday, January 31, 2008

Book-Based Digital Movies

Just when you think you've got a handle on book promotion, something new springs up. You've probably already seen the mini "movies" authors put up on sites like MySpace or YouTube - sort of a trailer for the coming book. And, of course, the thought of having to make one of those based on your book can send you into a depression, especially, if like most ordinary authors, you haven't a clue how to do it.

Now comes Robin Cook (best-selling author) and Michael Eisner (former Disney CEO). The two have joined forces to make a digital movie based on Cook's upcoming book, Foreign Body.

The New York Post reported:
Under the deal, Vuguru, in partnership with Cyber Group Animation and online entertainment company Big Fantastic, will script out 50 two-minute Webisodes that will feature the same characters as "Foreign Body" and serve as a prequel to the book's plot.

G.P. Putnam president Ivan Held hopes the digital movie will build enough buzz to set up Foreign Body for a blockbuster opening weekend. Clearly, this is beyond even the dreams of most authors. But it is something to keep in mind, since books seem to be going digital, one way or the other.

Wednesday, January 30, 2008

Audio Books

I like books on CD for when I’m in the car. I get tired of the same songs over and over. I think I’ve mentioned this before.

But right now, I’m listening to one that has me baffled. It’s a suspense/thriller by a well-known author. And the guy reading it is good. He can do different characters, different accents. But I’m having such trouble keeping up with the story.

I’m not sure if the problem is me, the plot jumps or the guy reading.

Characters move quickly. One character was breaking into a government building, then suddenly she’s in Europe. How did she get there, I wonder? When did she do it? As far as I could tell, days hadn’t passed.

I also have trouble keeping up with which character’s head we’re in. It moves from character to character without warning. I’m thinking the problem is that the guy reading doesn’t give the listener much indication of the shifts. Maybe he should pause or change tone before he picks up the next POV. By the time you realize you’ve moved to a new character in a different situation in a different place, you’ve lost the train. For example, there’s a section where there’s a guy in a cab. He has an implant so that he can hear inside his head the voice of his handler. So we’re hearing him and his handler. Then there are other guys following him. Plus, there’s another operative in a different location who also has an implant. He’s not in a cab, but is scoping out a building. Then there’s that woman. She’s climbed onto a building. I’m not sure if it’s the same building where the guy 2 is, but if it’s not it’s close by. I know only because at one point she’s worried he’s in trouble so she wants to go help him, but the voice in her head tells her not to. And then there’s another guy and he’s in the States. I know that for sure, well, sorta for sure. He’s in a house. A house that’s not his. A house where I believe early in the book they found a body. He doesn’t know it yet, but his handlers aren’t going to let him leave because crime scene investigators who were in the house with the body are getting very sick. He’s not sick yet. But one of the guys now in Europe is getting sick. His handlers don’t know that yet, though.

And on and on it goes, bouncing from character to character to disembodied voices to what in the heck is going on here???

I think this is one of those books I’d be better off reading. Then I could go back pages to re-read and ascertain when we’ve switched characters. I could figure out when a new chapter has started, when a length of time has passed. And where in the world they all are.

Tuesday, January 29, 2008

Patry Francis, The Liar’s Diary

Today is The Liar’s Diary blog day. The Liar’s Diary is the debut suspense novel of author Patry Francis. It came out in hardcover last spring from Dutton and today is the release date for the trade paperback.

Here’s what Mystery Scene magazine had to say:
The Liar's Diary is a dark book, engrossing from the first paragraph. Deeply textured, it is more psychological suspense than a simple mystery.

Kirkus Review wrote:
Genuinely creepy...The unlikely friendship between a small-town school secretary and a flamboyant teacher proves deadly in this psychological murder mystery.

Author Tess Gerritsen, in the International Thriller Writers’ Newsletter, wrote:
Nothing is as it seems in this masterful and twisty thriller about love, obsession, and poisonous friendships....Patry Francis writes with a quietly intimate voice, subtly weaving her spell as the tension slowly but surely builds to a fever pitch. Packed with jaw-dropping revelations, LIAR'S DIARY still manages to save one last walloping shock for the end.


Sound like an author you’d like to know more about? Visit her website for more about her and The Liar’s Diary.

You may be wondering why I and a lot of other bloggers declared this The Liar’s Diary blog date and are helping to promote Francis’s book. It’s because a few weeks ago, she was diagnosed with an aggressive form of cancer and, although after several surgeries her prognosis is good, she’s still not up to a full scale promotion push.

As a new author, she may not be on your radar or To Be Read list. Next time you’re in the bookstore, look for The Liar’s Diary or ask your bookseller to order it for you.

Monday, January 28, 2008

2007 Original Voices Awards

Borders recently announced the winners of the 2007 Original Voices Awards. The awards are designed to recognize “fresh, compelling and ambitious works from new and emerging talents in fiction, non-fiction, young adult/independent reader and children’s picture books.”

Fiction
Steven Hall, The Raw Shark Texts: A Novel, Canongate

Nonfiction
Peter Godwin, When a Crocodile Eats the Sun: A Memoir of Africa, Little Brown & Co

YA/Independent reader
Jeff Kinney, Diary of a Wimpy Kid: A Novel in Cartoons, Abrams Books for Young Readers

Picture Book
John Rocco (author and illustrator), Wolf! Wolf!, Hyperion Books for Children

According to the announcement in The Hollywood Reporter,
Throughout the year, more than 200 contemporary authors and illustrators from around the world are highlighted to customers through in-store features that rotate on a monthly basis. In November 2007, finalists for the Awards were chosen by both corporate and store employees via an online voting process. A committee of corporate staff members representing each of the four categories read each finalist and selected the winners.

In March, at the awards ceremony, each winner will receive $5,000. Congratulations!

Friday, January 25, 2008

Cell Phone Novels

You’ve heard of traditionally published books and small press books. Self-publishing is becoming more acceptable and now E-books are taking hold. But cell phone books?

Cell phone novels aren’t big here in the US, but considering their growing popularity in Japan, they may be coming to the states. Consider last Sunday’s article, “Thumbs Race as Japan’s Best Sellers Go Cellular,” in The New York Times.

According to the Times, in Japan:
Of last year’s 10 best-selling novels, five were originally cell phone novels, mostly love stories written in the short sentences characteristic of text messaging but containing little of the plotting or character development found in traditional novels.


Best sellers, yes. But great literature? Even critics in Japan call the cell phone novels “poor literary quality” and worry that they’ll hasten “the decline of Japanese literature.” Worry aside, the cell phone novels are big hits. One 21-year-old girl, Rin, who’d never written a book before, tapped one out on her cell phone during her senior year in high school. She then uploaded it to a website for would-be authors who post their stories in progress. It’s now a hardcover book
It sold 400,000 copies and became the No. 5 best-selling novel of 2007, according to a closely watched list by Tohan, a major book distributor.

The cell phone book by another young author, Mika, was “read by 20 million people on cellphones or on computers… Republished in book form, it became the No. 1 selling novel last year and was made into a movie.”

With unlimited texting now the norm in Japan, cell phone books are huge, but what about here in the US?

According to Wired:
Such times could be just around the corner in the United States, where cell phones are [becoming] increasingly used for relaying data, including video, digital photos and music.


Wired also notes:
U.S. publisher Random House recently bought a stake in Vocel, a San Diego-based company that provides such mobile-phone products as Scholastic Aptitude Test preparation programs. Random House also said it reached licensing arrangements with Vocel to provide cell-phone access to the publisher's Living Language foreign language study programs and Prima Games video game strategy guides.


Will either of these go the way of Tokyo-based wireless service provider, Bandai Networks? Bandai “offers 150 books on its site, called Bunko Yomihodai, or All You Can Read Paperbacks. It began the service in 2003 and saw interest grow last year. There are now about 50,000 subscribers…. Users can search by author, title and genre, and readers can write reviews, send fan mail to authors and request what they want to read, all from their phones.”

Considering the popularity of cell phone books in Asia, we have to add this medium to the growing list of ways books can be published. They’re not yet huge here in the US, but they may be coming.

Thursday, January 24, 2008

Marketing and Publicity - What's the Difference?

What's the difference between "marketing" and "publicity"?

This can be confusing. Am I marketing my book? Or am I publicizing it?

To differentiate the two, let's go back to basics. Marketing your book is two-fold. First of all, it means figuring out who and what your audience is -- i.e., you define your audience. Who is going to read this book; why would it appeal to them; and how do I reach them? The second part of marketing is coming up with a plan to sell your book to those readers and to sell books as fast as you can.

Your marketing plan is something you think about long before you finish writing the book. As you write, you can jot down notes in a marketing notebook.

This is not to say you don't think about publicity as you write. Publicity, however, means getting your book (and you) mentioned in as many media forms and as often as possible. Newspaper, book reviews, TV, radio, church bulletins, blogs, ezines, websites, alumni magazines, and so on.

Marketing and publicity are words that are sometimes used interchangeably. And, of course, when you publicize your book and yourself, you're marketing your book. But if you can try to keep the basics in mind when you're using the two words, you'll understand more of what your publisher's marketing person is saying to you.

And speaking of the marketing department, you can't depend on them (or her/him) to do all of your marketing. You need to be prepared to do it yourself. So, develop your own marketing plan and media/VIP contact list.

Wednesday, January 23, 2008

Writing Conferences: Do Your Prep

Spring and Summer are the seasons for conferences. Winter is pretty much dead time. But this means that right now is the time to start thinking about conferences.

If you want to be a speaker or panelist at a conference, this is the time to start the process of finding out how to apply, how to put your name in the hat to speak.

If you’re looking to attend one or two conferences this year, not as a speaker but as an attendee, then this is the time to start your research. You have to decide how many you hope to attend, how much money is in your budget, how far you’re willing to travel, and, especially, exactly what are your goals.

If you know you want to stay within driving distance, then google for conferences in your area. But maybe the subject matter of the conference is most important to you. Then search using keywords that fit your requirements, like romance or mystery or agents.

Let’s say you want a conference that specializes in the genre sci-fi. So you google that and come up with seven conferences that sound interesting and are within your budget. Now, go deeper. What kind of track record does this conference have? Who is listed as being on the panels or teaching classes? What authors will be there? Do you know anyone who has attended the conference and what do they have to say about their experience? Is the conference all one-way communication or are there opportunities for you to get involved in readings or Q&A or meet-and-greets or hospitality suites? What is the primary focus of the conference – fans getting to meet authors, authors discussing their books, experts teaching about writing?

Or maybe you’re looking for conferences specializing in agents and/or editors. Once again, you find some that you can afford and seem promising. It’s imperative that you know which agents and editors will be coming to the conference. How many of them represent your kind of writing? Will there be opportunities for one-on-one meetings? Do you only get one face-to-face or can you sign up for more? Are their social opportunities to meet? Will the agents and editors be leading workshops or on panels?

Decide now what you want from a conference. That way you have time to do research and find the perfect match. Then you have time to sign up in order to get what you want from the experience. Then you can look around in your circle of friends to see if anyone else is going to the conference, especially someone who has been before and can show you the ropes.

Don’t wait until the last moment to sign up. Be prepared. Do your research. Spend your time and money wisely and you’ll make the most out of attending.

Tuesday, January 22, 2008

Blog Book Tours

It seems to me that blog book tours are becoming more popular. Either that, or I’m just becoming more aware of them. A blog book tour is when an author visits a series of blogs, either doing interviews or writing posts, as a way of promoting their book(s). Like taking a virtual book tour.

A blog book tour sounds easy. Just sit in your PJs and type on your computer. But, of course, it’s not that simple. Sure, you don’t have to get in your car and drive or go through security to get on a plane, then live out of a suitcase as you go from city to city. And, naturally, it is less expensive than an actual tour.

But that’s not to say it’s easier.

We’ll start with a simple visit to a blog. If it’s an interview, then usually the owner of the blog will send questions ahead of time. That gives the author or interview subject time to answer the questions and edit their answers. Then, for example, in the case of my blog, the author has a last chance to review the post before it goes up. Once I’ve added the intro and close to the post, I send it to the author for a final look before it’s posted.

That’s not too bad. You have time to consider the questions and perfect your answers. But what about with a Q&A that’s much closer to “real” time? For example, an interview that takes place on a discussion board where questions are coming in during a set time period and the author doesn’t get the chance to review them ahead of time. The question comes in; the author answers. It’s rather like questions being fired at you by reporters, or if you’ve done a lot of bookstore talks, questions from the audience. Very little time to edit or form eloquent sentences. And…those words are pretty much there forever. Up on the Internet, saved on people’s computers, shared with others.

But let’s say you’re not doing just one or two interviews or posts. You’re doing a “real” tour, with many stops along the blog road. You’re even posting the blog stops on your site so your readers can take the tour with you. In that case, you really have to plan ahead. You have to come up with subjects to talk about – different at each stop, informative, entertaining, and always, always, promoting your book. Readers aren’t going to take the tour with you if you keep repeating yourself. You have to plan your talks so that each one adds something, each one will be new for your readers (and for the readers of the individual blogs you’re visiting). This is a little different from going on an actual tour where you’re not likely to have the same audience members in City B that you had in City A, so you can repeat yourself. This takes more pre-preparation.

Plus, it takes work on your own website. If you’re going to refer to your book for examples, you hope the readers will have bought your book ahead of time. But, chances are, a lot of them won’t. You don’t want to lose those visitors. In fact, you want them to go out and buy the book after your “talk.” So you put excerpts from your book on your website so you can refer readers to those snippets. It helps them relate to what you’re talking about in your post. They’ll read those snippets and, hopefully, think the book might be really interesting and go buy it. Plus, it gets them to your website where they’ll look around and see what other books you have out.

But this big tour takes work. Ahead of time. And let’s say you have a tour all planned out with ten stops. And you’ve written “lessons” for each stop. Then a blog owner asks you to stop at his/her blog. Now, you gotta go back and add a new lesson, something different, yet related.

Sure, you’re still sitting in your PJs, but even a blog book tour can be time consuming and a lot of work. And it’s harder to track sales. But it sure is cheaper. And you have the possibility of connecting with more readers than on an actual tour. And … you don’t have to comb your hair or suck on breath mints.

Monday, January 21, 2008

2008 Edgar Award Nominees

The Mystery Writers of America has announced the 2008 Edgar® Nominees.

Best Novel
Christine Falls, by Benjamin Black
Priest, by Ken Bruen
The Yiddish Policemen's Union, by Michael Chabon
Soul Patch, by Reed Farrel Coleman
Down River, by John Hart

Best First Novel
Missing Witness, by Gordon Campbell
In the Woods, by Tana French
Snitch Jacket, by Christopher Goffard
Head Games, by Craig McDonald
Pyres, by Derek Nikitas

Best Young Adult
Rat Life by Tedd Arnold
Diamonds in the Shadow by Caroline B. Cooney
Touching Snow by M. Sindy Felin
Blood Brothers by S.A. Harazin
Fragments by Jeffry W. Johnston

Visit the MWA site to get the full list, including other categories, like Paperback Original, Critical/Biographical, Fact Crime, Short Story, Juvenile, Play, TV Episode, Motion Picture and more.

Friday, January 18, 2008

A Closet Library


Hopefully, what you’re seeing is a picture of my office library. Unless I’ve messed up. In which case, you’re seeing nothing but text.

Some people asked about the library my husband built for me in my office closet. So I decided to take a picture of the back wall where most of the books are stored.

The top three shelves are autographed books. The bottom four shelves are other books. What you can’t really see in this picture is a long shelf that runs along the side wall. That shelf is filled with resource books. On the other wall are scripts and audio books.

The closet door isn’t very wide, so it wasn’t easy to get a picture. I would have liked to somehow get a shot of the full closet, but that wasn’t possible.

Okay, I admit – it’s not terribly interesting. And it’s certainly not a big library. But I like it. I’m already just about out of shelf space, though. Still, it’s nice to walk in and find a resource book, or browse the shelves to see if there’s a book I haven’t read yet.

I used to think, man, I’ve got too many books. Then I’ve visited some friends’ houses and realized that I’m not nearly the book hoarder I thought. I’ve got friends who have double-stacked books in every room in their houses. So, if my husband tells you I have too many books, don’t believe him. And now you have a picture to prove he’s wrong.

Thursday, January 17, 2008

Patricia Fry, Guest Author

Today, our guest blogger/interviewee is Patricia Fry. Patricia is a full-time freelance writer and the author of 27 books. While she has written on numerous topics during her 30 years in the business, she focuses now on writing and publishing issues. Patricia's hallmark book for authors is her newly revised "The Right Way to Write, Publish and Sell Your Book." She has also produced a one-of-a-kind "Author's Workbook" as a companion to this extremely valuable book. Patricia is also the president of SPAWN (Small Publishers, Artists and Writers Network).

I’ve started this off by asking Patricia a few questions, but you’re welcome to post a question in the Comments section if there’s something you’d like to know that I didn’t cover. So, let’s get started.

Helen: Tell us a little about yourself and your writing.

Patricia: I’ve been writing for publication for over 30 years. I started out writing articles for magazines. In fact, that was my mainstay for years—how I earned my living. I’m also the author of 27 books, including 10 related to writing and publishing. Writers are generally passionate about something—their writing, of course, but, often, also their topic/genre. I’ve always been a “give me the facts ma’am” kind of writer. I thrive on teaching, coaching, mentoring through my writing. Today, my passion involves helping other freelance writers and authors make the decisions and take the steps that will help them to realize their writing/publishing dreams. I do this through my books, articles and one-on-one consultation work. I also travel around presenting workshops and conducting seminars for writer and authors. On a personal note, I live in a small town in California and enjoy whatever cats are in my life at the time—usually rescued kitties—and gardening. I spend time with my grown daughters and adult grandkids as well as my widowed mother. I walk every day to keep my body from becoming permanently attached to my office chair. But mostly, I work. I put in anywhere from 8 to 12 hours per day working with clients as well as my own writing.

Helen: How did you get invited to speak (all expenses paid) in Dubai? That must have been an amazing adventure. What one thing surprised you most about that experience?

Patricia: Yes, it was an amazing adventure. It was my first time in a foreign country. The opportunity came about because of my writing. I’d been contributing regularly to The Toastmaster Magazine for many years. The organizers of the Toastmaster Convention in the Middle East were accustomed to seeing my name in this international magazine, liked my articles and, I think, wanted a woman’s influence at their convention that year, 2006. I was the first woman ever to be invited to give a keynote speech at their convention. My assignment was to speak for an hour in front of 800 Toastmasters from the United Arab Emirates, Saudi Arabia, Kuwait, Qatar, Jordan, Oman, Bahrain and Pakistan, most of whom spoke English as their second language. What surprised me most about the experience? How warm and welcoming the people were and how well-received my presentation was. I’ve written of my experiences during those 4 days of travel and experiencing Dubai and my preparation for the trip. I’ve created a little book called, “Once in a Lifetime: Adventures in Dubai.”

Helen: There are a lot of informative articles on the SPAWN (Small Publishers, Artists and Writers Network) site, but there also seems to be even more that members can access. How long have you been president of SPAWN and what changes have you seen in the organization?

Patricia: SPAWN was started in 1996 as a face-to-face networking organization. We had 3 chapters in Southern and Central California—each meeting once a month. When the Internet became so prevalent in our lives, attendance dwindled and we moved SPAWN online. We are now an Internet presence, only. I have been actively involved from the beginning. Yes, we have an enormous amount of information and resources for anyone who is interested in publishing. And we send out a free newsletter to a subscriber list of around 2,000 every month. Membership earns authors, artists, freelance writers, publishers, etc., additional perks such as participation in a discussion group and a forum (for the purpose of networking with other members), Market Update, a truly meaty newsletter that includes industry news and updates as well as numerous opportunities for authors seeking publishers or promoting books, freelance writers, artists, screenwriters, and so forth. Members have access to the Market Update archives and we provide a nifty search feature so they can easily locate the information and resources they are seeking. Members also receive a free book of their choice when they apply for membership or renew. Membership in SPAWN is $45/year.

Helen: Do you think e-publishing and self-publishing are viable options for most authors or only for those who have a platform already in place for selling and know how to set up a shopping cart on their site?

Patricia: These avenues are certainly viable for many hopeful authors. I have to say that anyone who wants to shift from writer to published author, in order to experience any measure of success, MUST build a platform and be prepared to become an aggressive marketer. As far as setting up a shopping cart on their site, authors don’t have to know how to do this, they can hire tasks such as this done. Publishing today is highly competitive. There are more people writing, more people approaching publishers with their manuscripts and more people promoting books. An author needs more than a great story or a fantastic nonfiction book idea. He/she needs a business head and the willingness to shift from writing mode to business mode. I tell authors that publishing is not an extension of your writing. E-publishing and self-publishing aside, even those authors who are fortunate enough to land a traditional royalty publisher must take on the role of marketer/promotions manager for their project in order to succeed.

By the way, to self-publish means to establish your own publishing company. Today, the term is also used in reference to the many (I think 80-some) fee-based POD publishing services. I still consider most of these companies vanity publishers.

Helen: You wear a lot of hats – writer, speaker, teacher, editor, manuscript consultant. Are you very organized, or do you just not sleep?

Patricia: I love keeping busy. A day that involves writing is a happy day for me and a day when I can help a client move closer to his/her idea of writing or publishing success, is a good day for me. Yes, I am a fairly organized person. I think this comes with running your own business for many years and it comes with being a nonfiction writer. There’s a lot or organizing that must be done when you’re writing nonfiction. Most nonfiction authors and freelance writers I work with, need help in the organization of their projects. I also work with fiction writers/authors. They typically have very different challenges. The most common problems I see with authors today are muddy writing, repetition, sentences too long and cumbersome and the misuse of punctuation.

Do I sleep? I go to bed really early every night, but I’m up again by 5 (often earlier) and I head right to my computer and start working. Discipline is important in this business and it doesn’t always come easy. The good news is, it can be learned—or maybe it is conditioning that finally makes it stick.

As for being organized, one thing I do that I don’t think many people do is, I handle things as they come in. Rarely, does a project sit on my to-do list for more than a day or two. Quick tasks are accomplished usually within hours. I try not to allow pending work to collect on my desk.

Helen: Of all the books you've written for writers, which has been your best seller?

Patricia: Over 75 Good Ideas for Promoting Your Book. Amazon orders this book practically by the caseload every month. It’s a small, saddle-stitched book and sells for $6.50. I think that publishers may be ordering quantities of this book to give to their new authors. Maybe writing groups are buying it to handout to members. I wish I knew where all of those books are going. The book I recommend most often is my newest book—the newly revised The Right Way to Write, Publish and Sell Your Book. This is a major contribution to the world of publishing. I wrote it in response to the questions I get over and over through my affiliation with SPAWN and while traveling and speaking with hopeful authors. I recommend it to anyone who is even considering writing a book or entering the publishing game. I recommend it to hopeful authors, struggling authors and any author who wants to self-publish, is considering going with a fee-based POD publishing service, who wants to land a traditional publisher, who has a book to promote, who is confused about distribution, who needs help establishing a platform or writing a book proposal. It’s all here. This should be required reading for anyone who is even entertaining the idea of producing a book.

A few months ago, I also came out with the Author’s Workbook. This is designed to help the author take the information he has read in The Right Way to Write, Publish and Sell Your Book and apply it to his book project. It walks you through the entire process from book idea to book promotion and everything in between.

Helen: You have an amazing number of books available on your Matilija Press website, a lot of them yours. What advice, based on your own experience, do you have for writers who are thinking of self-publishing or e-publishing?

Patricia: The only book on my site that isn’t mine is Johanna’s Journey, a memoir that I published through Matilija Press for a friend who lost his fiancé (she was my neighbor and good friend). Actually, I contributed to this book, as well. Johanna, who was 56 and extremely fit, willed me her 4 cats just months before she died of a brain aneurism.

I have 27 published books—some of them are out of print. Some were published through traditional publishers, one is an ebook, but most of them were produced through my publishing company, Matilija Press. You can order most of my books directly from my website.

Also at my website, you will find resources and articles for writers and authors. I provide a calendar of my upcoming activities and events. Of course, you can find testimonials. I love my testimonials sections. AND I offer something unusual, online courses on-demand. I teach courses on 4 different subjects for writers and authors: article-writing, how to write a book proposal, self-publishing and my newest course, book promotion. Instead of having to wait until I decide to teach the course or waiting for a course to fill, you can sign up for a 6-week or 8-week course when you want to and I’ll work with you as one of 10 or the only student. This is an online course on-demand. Check my courses out at Matilija Press.

Another important part of my website is my Blog. I blog daily.

Thank you so much Patricia. What great answers.

If you get the chance to meet or hear Patricia Fry in person, take advantage of the opportunity. She presents writing/publishing workshops throughout the U.S. and you'll see her articles published in numerous writing/publishing-related magazines and newsletters every month.

Wednesday, January 16, 2008

NBCC Awards

The National Book Critics Circle announced the 2007 Award Finalists on January 12th and the winners will be announced on March 6th. In case you’re wondering, the National Book Critics Circle (NBCC), founded in 1974, is a non-profit organization consisting of nearly 700 active book reviewers who are interested in honoring quality writing and communicating with one another about common concerns.

You might want to see how many of the finalists you’ve read or which ones you want to put on your reading list. So here’s the list:

Fiction
Vikram Chandra, Sacred Games, Harper Collins
Junot Diaz, The Brief Wondrous Life Of Oscar Wao, Riverhead
Hisham Matar, In The Country of Men, Dial Press
Joyce Carol Oates, The Gravediggers Daughter, Harper Collins
Marianne Wiggins, The Shadow Catcher, S&S

Nonfiction
Philip Gura, American Transcendentalism, Farrar, Straus
Daniel Walker Howe, What Hath God Wrought: The Transformation of America
1815-1848, Oxford University Press
Harriet Washington, Medical Apartheid: The Dark History of Medical
Experimentation on Black Americans from Colonial Times to the Present, Doubleday
Tim Weiner, Legacy of Ashes: A History of the CIA, Doubleday
Alan Weisman, The World Without Us, Thomas Dunne/St. Martin's

Autobiography
Joshua Clark, Heart Like Water: Surviving Katrina and Life in Its
Disaster Zone, Free Press
Edwidge Danticat, Brother, I'm Dying, Knopf
Joyce Carol Oates, The Journals of Joyce Carol Oates, 1973–1982, Ecco
Sara Paretsky, Writing in an Age of Silence, Verso
Anna Politkovskaya: Russian Diary: A Journalist's Final Account of Life,
Corruption and Death in Putin's Russia, Random House

Biography
Tim Jeal, Stanley: The Impossible Life Of Africa's Greatest Explorer, Yale University Press
Hermione Lee, Edith Wharton, Knopf
Arnold Rampersad, Ralph Ellison. Knopf
John Richardson, The Life Of Picasso: The Triumphant Years, 1917-1932, Knopf
Claire Tomalin, Thomas Hardy, Penguin Press

Criticism
Acocella, Joan, Twenty-Eight Artists and Two Saints, Pantheon
Alvarez, Julia, Once Upon a Quniceanera, Viking
Faludi, Susan, The Terror Dream, Metropolitan/Holt
Ratliff, Ben, Coltrane: The Story of a Sound, Farrar, Straus
Ross, Alex, The Rest Is Noise: Listening to the Twentieth Century, Farrar, Straus

Poetry
Mary Jo Bang, Elegy, Graywolf
Matthea Harvey, Modern Life, Graywolf
Michael O'Brien, Sleeping and Waking, Flood
Tom Pickard, The Ballad of Jamie Allan, Flood
Tadeusz Rozewicz, New Poems, Archipelago

Tuesday, January 15, 2008

Two Observations About Writers

A lot of my friends are writers, as I’m sure is the case with most writers. We’re no different from people of other occupations. Lawyers tend to have friends who are also lawyers. Firefighters hang with other firefighters. And we all have friends outside of the circle of work or calling.

I am very thankful for my writer friends. They are the best in the world. Yesterday, I got together with five of those friends. Our lunch ended around five p.m. About three a.m., I woke up, thinking about that gathering. We had a good time, laughing and talking. It renews your soul to hang with good friends who, in this case, are all strong, accomplished women. As I started my second cup of coffee around four, I thought about two things I noticed during our get-together.

One is that, although we’re all writers, we didn’t really talk about writing.

I’ve thought back through the four hours we were together, from the time we gathered at the restaurant until we got into our cars to make the trek back to our homes -- and I can’t really remember talking about what we were working on, or plotting, or researching. No one asked for help on a plot twist. No one described a character. No one discussed an interview for an article. We caught up on what was going on in each other’s lives, outside of writing.

I don’t know if this is true of people in other professions. Do doctors gather for drinks and not discuss patients or cases? Can travel agents meet for coffee and not talk about cruises or exciting locations that have just come onto their radars? Possibly. But this non-discussion of writing seems to happen whenever I gather with these friends. There just seems to be so much to talk about other than our work that the time flies by until we reluctantly have to part.

And that brings me to my second observation. This group of friends, and there are three more who couldn’t make the lunch, are amazing women. Strong, funny, smart, opinionated, loving, giving, loyal … my list of adjectives could go on and on. And sometimes that makes me stop and wonder, how did I end up in this group? How could I have been so fortunate to find myself surrounded by such wonderful women? However it happened, I am thankful.

Perhaps you belong to such a group, be they men or women or a mix, be they writers or some other profession. If so, I’m so glad for you. If not, then I hope you find or begin such a group. A belated New Year’s wish. Everyone should have a support group of wonderful friends.

Monday, January 14, 2008

Publishers Weekly Book Reviews

Last week, I posted about an article by the Austin American-Statesman book editor. If you’d like to find out more about exactly how books are chosen for review and the timeline for reviewing for a major publication, specifically Publishers Weekly, check out Rose Fox’s blog.

Start with her recent five-part post on how she chooses and handles books that come across her desk – and how she sometimes solicits books to be reviewed. Fox is the Science Fiction/Fantasy/Horror Review Editor for PW. She used to do book reviews, but has now moved into editor position.
I should also note that I reviewed over 100 books for PW from 2002 to 2007, but now that I edit PW reviews, I no longer write them (though I still review for Strange Horizons, Lambda Book Report, and other publications). PW reviewers are anonymous, and we take that anonymity really seriously.

Now, if those posts catch your eye and you want to read more or bookmark her, check out her full blog. Her posts are interesting, often tidbits of her life as an editor. Some are funny, like:
Today's phrases that are not the same:
her man fans
her many fans
Boy, am I glad I caught that one before it went off for copyediting. I'd never have lived it down.

She also has some interesting posts about her freelance work, including how much she makes.
Writers depend on the help of other writers for survival. As a successful writer--and believe me, the idea that I am a successful writer never fails to shock me--I feel a pretty strong responsibility to the writing community, and especially to those who might need a leg up. And if someone reading this is making far more money at journalism than I am, I'd love to hear what they have to say, and pay it forward when I can.

Friday, January 11, 2008

Book Promotion: Start Your Database Now

Promoting your book is no longer left solely up to your publisher. That’s so last century. Now, authors are expected, even required, to take on a lot of the responsibility. You may be lucky enough to have a publisher who will assign you to a publicist. You may even hire your own publicist. But a lot of first-time authors find they have to do it themselves.

Whether you have a publicist or not, it’s important that you start building your database. You absolutely can’t wait until your book comes out. You can’t even wait until six months out from publication. You shouldn’t wait until an editor buys it, a small press agrees to publish it, or you decide to self-publish.

Start building a database of contacts now. That “now” means when you’re thinking of writing a book. It means as you’re writing. As you’re editing. As you’re querying. As you’re doing the edits requested by your agent, by your editor. It means as that “now” becomes “forever” because the process of building a database never stops.

But it does have to begin. And that beginning point is now.

Make note of everyone you meet, everyone who emails you, everyone you encounter in your daily life. Collect those business cards and Christmas card return addresses. You meet someone at a party who mentions they like the kind of book you write, but all you got was their name – no address or email address? Google ‘em. See if they have a website. Belong to any organizations – professional, church, volunteer, social, parent, school, etc.? Add the membership list to your database and check for changes each year as the new list comes out.

Don’t let the business cards and slips of paper accumulate in a folder or envelope. Then the task becomes overwhelming. Do it a little each day or week, as needed. Maintain the list on your computer, preferably in a software program that will make it easy to sort and mail/email.

Now, you’ll need a way to differentiate how well you know your contacts. Some are friends, who know you’re a writer, are waiting for your book to get published and will be excited to get the news. Some will be acquaintances you meet in your daily lives. They might be surprised and happy for you. Some will have trouble dredging up how they know you, although your name sounds familiar. Some won’t “know” you at all. You’ll need to be able to refer to your database to know how to approach your contacts. No one gets spammed.

Don’t aim for 200 names on your list. Aim for a thousand, two thousand, or more. Once you reach that mark, increase the goal.

Thursday, January 10, 2008

Patricia Fry, Author, Coming Next Thursday

Next week on the 17th, Patricia Fry will be the guest author on Straight from Hel.

Patricia Fry is a full-time freelance writer and the author of 27 books. While she has written on numerous topics during her 30 years in the business, she focuses now on writing and publishing issues. So, we can expect her to have some real insights into the writing world as well as some interesting tidbits.

You'll be welcome to post comments or questions for Patricia.

To get you ready for the interview, she has two websites you can visit.

The first is Matilija Press. If you go to her "For Writers" section, you'll find articles by her ranging from "Clean Up your Muddy Writing" to "Book Promotion Opportunities Missed are Sales Lost." There's also a page of Resource Links. You'll also find a link to her blog.

Patricia is the president of Small Publishers, Artists and Writers Network (SPAWN). You can go to the SPAWN website to learn more about this organization. You don't have to be a member to find some more great articles for writers.

I'm asking her some questions for the interview, but I'm sure some of you will have some of your own!

Wednesday, January 09, 2008

Literary Web Space for Authors and Readers

I found this news from San Francisco very exciting (and not just because my daughter lives in SF). The San Francisco Chronicle, on Tuesday, January 8th, reported on a new literary website called Redroom.

Redroom.com is an ambitious online community for writers started by entrepreneur Ivory Madison. The site aims to be the equivalent of MySpace, doing for writers what MySpace did for musicians – provide a means for them to network and promote themselves.

Started on December 21st, it already features 150 authors and expects to soon have 400 more. It won’t feature just the big names, although there are some of those already on the site. It’s goal is to put all authors on equal status. Each will have a Web page and a blog, plus authors can “designate their favorite charities or nonprofits, and a portion of the revenue generated from page and ad views goes to good causes.”
The site is meant to appeal to readers, authors, booksellers and publishers as a kind of one-stop shop for biographical information, book reviews, blogs, video and audio content and author appearances. It's a virtual place where "midlist" authors in particular, who are watching their books get knocked off store shelves with alarming speed, can network and promote themselves, much as emerging musicians do on MySpace.com.

Lest you say that this is a pie in the sky concept and it won’t work, consider Madison’s track record. She has an entrepreneurial history, from starting her own coffeehouse and restaurant to a chapter of the National Organization for Women, while earning her law degree.
Some 10 percent of Redroom Omnimedia Corp. is owned by private investors, whose ranks include venture capitalists and investment bankers as well as publishing industry executives such as Nion McEvoy, chairman of Chronicle Books (not affiliated with The Chronicle); Internet guru Craig Newmark, founder of Craigslist; and writers with good fortune and the financial means to invest, such as Robert Mailer Anderson, author of the novel "Boonville."

So, she’s not going it alone on this venture. She has raised money and hired staff.
Madison has collected $1.25 million in venture capital for the business and has hired a staff of 15, and anticipates raising $2 million more in the coming months. She said she expects to break even in 2008 and make $15 million in gross revenue in 2009.

You may be wondering how much this is going to cost. A big name might be able to afford to join, but could a small author or a midlist author swing it?
All writers join the Web site for free, and soon readers will be able to have their own free pages, too.

Now, I’ve not put any money into Redroom, so I have no vested interest. So, as an uninvolved party, I recommend you look into it. Check out Redroom's website. See what you think. It sounds like a promising idea to me.

Tuesday, January 08, 2008

Life of a Newspaper Book Editor

If you want an inkling of what life is like for a newspaper book editor, go read Jeff Salamon’s article in the January 6, 2008 Austin American-Statesman.

First of all, he points out that his job is not all reading books.
Rather than lounging in an easy chair with a glass of Shiraz at my side and a dog curled by my feet, I spend most of my days attending meetings, editing reviews, hassling publicists, unpacking (and perusing and shelving or tossing out) the 200 or so books that arrive in the mail every week, marking up publishers' catalogs, reporting on local literary news, dealing with reader queries, filling out paysheets ... the list goes on.

Then, while he describes himself as a bibliomaniac, he admits to being a fairly slow reader who seems to remember only the most striking of books he reads. But, unlike you and I, he does so much reading that he doesn’t allow himself to read in bed as he’s going to sleep.
Reading until I fall asleep has only succeeded in training me to fall asleep when I read.

But, just like all of us avid readers, he buys books, even though he clearly has more than he can read already on his to-be-read pile. If he’s getting 200 books a week, I dare say he’s got a huge pile waiting. Let’s hope he’s not just tossing in the trash those books that he decides not to read.

Now, that could be a horror book by itself.

Monday, January 07, 2008

Books to Movies

Here’s a trend you may not have thought about. Books are being made into movies.

Sure, we all know that. And if you’re a writer, it’s exciting to think about your book being bought by a Hollywood producer or studio. It’s happened to other writers, why not you? It’s happened in the past, so why not now?

But is the trend slowing down? We all know how hard it is to break into the publishing field. The movie business is even harder.

Well, according to the January 6th Sacbee.com, the trend is still strong. The article, “Between the Lines: Books-to-Movie Trend Not Slowing,” had this to say:
It's apparent that not all movies are derived from original screenplays, despite the roles of Hollywood writers. Many of the best films had their source material in books. For instance, at theaters now are "I Am Legend" (by Richard Matheson, published in 1954), "Atonement" (Ian McEwan, 2001), "No Country for Old Men" (Cormac McCarthy, 2005) and "The Kite Runner" (Khaled Hosseini, 2005).

Books to movies has a solid foundation. Consider Cracked.com’s list of “8 Kick-Ass Movies You Didn’t Know were Based on Books.” That list includes First Blood, the start of the Rambo movies. It was a book by David Morrell. Remember the scary movie called The Thing? That was based on the book Who Goes There? Did you know Psycho was also the name of the book by Robert Bloch? Check out Cracked.com’s website for the full list.

Some more recent examples would be The Nanny Diaries which came out in 2003. Or how about the 2006 book The Emperor’s Children just bought by Ron Howard’s Imagine? You can read about these and other deals in Publishers Weekly.

So, it still happens. No, it’s not easy, but it’s sure exciting when it happens to someone you know or love reading. Or … and here’s a New Year’s wish … to you!

Friday, January 04, 2008

Opening Paragraphs

Wednesday, I wrote about opening sentences and gave examples from books of opening lines that I thought would hook the reader/agent.

But it’s really difficult to have a hook in the very first line. Sometimes an author can do it for a particular book. Sometimes you can’t.

The next best option is to do it within the first paragraph. If not there, then the second paragraph. If not there, then within the first page. If you can’t do that, then you better have something by the end of Chapter One that will make the reader turn the page and keep reading rather than put the book down and go to sleep.

I went back to my library and picked out three books that I think have great opening paragraphs.

In alphabetical order, we start with Jeff Abbott in Distant Blood. He actually starts out with a great hook in the first line, then he keeps you hooked through his opening paragraph:
Mortal fear is knowing you’ve been poisoned. I sagged against the fine oak paneling, agony vying with numbness for control of my body. My heart raced with the knowledge that it was pounding its last rhythm, like the beat of a runner’s shoes against the road as he surges toward the finish line, toward blessed rest. Bile rose in my throat and I swallowed, trying to steady my breathing. I slid down to the floor, dizziness and nausea washing across my body like an obscene tide. I tried to cry for help and my throat felt dead. Raising one leaden arm, I managed to focus my vision on the blurred figures in the room.

Next, here’s Marsha Moyer in The Second Coming of Lucy Hatch:
I was thirty-three years old when my husband walked out into the field one morning and never came back and I went in one quick leap from wife to widow.

Now, that’s a pretty good hook, I think you’ll agree. But keep reading and see how she develops this hook and then catches you again at the end of the paragraph.
I wasn’t the one who found him; that was Sam Gill, who’d come by to ask Mitchell to help him load a horse. He’d fallen off the tractor and under the blades of the mower – my husband, Mitchell, not the horse; I guess we’ll never know how. Try as I might, and I have a thousand times on a thousand nights, I cannot imagine such a thing; my mind creeps up on it, then turns and bolts. I can’t let myself think it, a man shredded like a handful of husks, bleeding dry in the sun. I’ve never much liked machines, never trusted them, but Mitchell could drive anything, repair it, make it run, and he was not a careless man. I didn’t love Mitchell, which you’d think would help but it doesn’t, really, not when you’ve been with someone fourteen years and worn their presence next to you so long it’s like a favorite old shirt, come to take for granted its smell and its feel. I didn’t love Mitchell, but he was mine and that was something.

And lastly, we turn to Gerald Roe who wrote the young adult book, Terror in the Steel Mountains:
It was just two months ago that I lost my mind. Now, I know that sounds kind of weird. After all, losing your mind is something that happens mostly to really old people, right? And when it happens to them, it’s sort of expected. But I’m only eleven years old. No one expects an eleven-year-old guy to lose his mind; but that’s exactly what happened to me. At least that’s how it felt at the time. I heard voices, had strange dreams, and even saw things that seemed to appear and then disappear into thin air. I mean, who wouldn’t go mental under the same circumstances?

All three of these have a strong opening sentence. All three follow it up with a strong first paragraph. If you weren’t hooked by the first line, then you are soon after.

Writing is hard work and re-work and re-work. You know you’ve succeeded when the reader thinks it was easy. Or, better yet, when the reader doesn’t even think about the writer or the process of writing and editing. They’re just caught up in the story.

Thursday, January 03, 2008

Are You Pre-published or Unpublished?

About a week ago, I joined an online discussion group for mystery writers. So far, I've just been reading the comments and haven't "spoken" up.

The entire week has been taken up with discussion of the term "prepublished." You've probably heard the term; I have. Pre-published (I’ve seen the word hyphenated and not) is basically an euphemism for "unpublished." Writers who use the term aren't pretending to be something other than unpublished, but prepublished has a softer ring to it, a hint of their surety that they'll be published in the future.

Some writers prefer the term. Some writers do not. No one seems to be sure exactly where the term got started. Some said with mystery writers; others thought with romance writers. Most seemed to agree that the term has been in use for at least a decade.

The consensus online is that even if you use it to describe yourself, you should be careful where and around whom you use it. A lot of agents, apparently, hate the term. To them, it screams amateur. It also conflicts with what an agent would view as an author who is prepublished. To them, a prepublished author would be one who has sold their book (they have a contract), but the book is not out in print yet.

When I was Executive Director of the Writers’ League of Texas, I dealt with a lot of agents, either calling and talking to them, inviting them to our annual Agents & Editors Conference, or working with them at the conference. None of them brought up the term prepublished or complained about it to me. But that doesn’t mean they weren’t thinking of it.

This is not to say you don't want to ever use the term, but you might want to be careful around agents.

It is a term that a lot of authors and writers use, though. I did a google search on the phrase "pre-published author." Got back results for 42,300 hits.

If you haven't been published yet, which term do you use: prepublished or unpublished? If you'd like to add to the discussion or give your opinion, post a comment.

Wednesday, January 02, 2008

Opening Sentences

This being the beginning of a new year, I was thinking about beginnings – of books, that is.

It used to be that books started slowly, with the weather or with character development. Then they evolved into quicker starts. You needed to hook the reader (or agent) by the end of the first chapter. Then it was by the end of five pages, then one. Now everyone wants to be hooked by the first sentence.

That’s not an easy task, although some authors make you think so. But in most cases, it wasn’t easy for them. They slaved and worked and rewrote and rewrote that first sentence. So, if you’re struggling with your opening sentence, don’t give up.

I went to my library shelves and pulled out some books. Here are the first sentences of four of those books.

From Danielle Steel in Secrets:
The sun reverberated off the buildings with the brilliance of a handful of diamonds cast against an iceberg, the shimmering white was blinding, as Sabina lay naked on a deck chair in the heat of the Los Angeles sun.

From Katherine Dunn in Geek Love:
When your mama was the geek, my dreamlets,” Papa would say, “she made the nipping off of noggins such a crystal mystery that the hens themselves yearned toward her, waltzing around her, hypnotized with longing.

Sharon Kahn in Fax Me a Bagel:
You haven’t lived until you’ve died in Eternal, Texas.

Lee Child in The Hard Way:
Jack Reacher ordered espresso, double, no peel, no cube, foam cup, no china, and before it arrived at his table he saw a man’s life change forever.

Each sample is from a different kind of book. Each sentence is different and sets a different mood and tone. Each one is great. Each one makes you want to read more.

Think about your own book beginning. Will it make the reader/agent want to keep reading?

Tuesday, January 01, 2008

Another E-book Reader to Consider

In early December, I wrote two posts about the new E-reader, the Kindle. One was called “My Take on Kindle and Future of E-Books.” The other, a few days earlier, was titled “E-Book Readers, An Author Speaks.”

So, I figure it’s only fair to tell you about a new, or actually an updated, entry into the world of E-readers.

Sony has updated their PRS-505 Reader. It sells for $300. Supposedly, it has a new body and some new tricks. Now, instead of just the choice of a black reader, you can get it in silver or dark blue. Now, isn’t that exciting? Sarcasm aside, they also say they’ve rearranged the buttons so they’re more accessible and upgraded the internal memory to hold 160 ebooks instead of 80.

The Sony eReader launched about a year ago, but with this new redesign, they say their Sony Connect store offers 20,000 titles. One problem, though, is that there’s no built-in Internet connectivity, like with the Kindle. You have to connect up to your computer to download. That’s a major drawback for people who now consider quick Internet access through laptops and Blackberrys a given, not an option.

Another drawback of the Sony PRS Reader, according to Michael Kanellos with C/NET News is that it’s a bit slow. He wrote:
That's the amount of time it takes for the Sony PRS-505 Portable Reader System to let you into War and Peace. You click the book title from the Reader's library, wait one minute five seconds while the book loads, and you're back to the Napoleonic era. Actually, you're not completely back. You have one more click to go. With a paper book, this process takes about a second.

If you didn’t get an e-Reader for Christmas and are thinking about buying your own, you might want to do some checking online before you purchase. Also, make sure you try each one out. See how easy it is to use, download books, turn pages, load books, work the buttons, etc.
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