Showing posts with label giveaway. Show all posts
Showing posts with label giveaway. Show all posts

Monday, October 14, 2013

Author Larry Brill and Book Giveaway

 Our guest author today is Larry Brill. Larry spent 25 years as a TV news anchor and reporter, picking up numerous awards along the way.  After leaving the business in 2000 to set up a video and marketing consulting business, Larry penned his first novel, Live At Five, a gentle lampooning of the TV news business. His second novel The Patterer, carries the same theme back in time to explore how today’s news clichés might play to an 18th century London theater audience.

How One Writer Beat the Distractions Trap
or
Confessions of a Fiction Procrastinator

This should be a great week to put in some serious time and finger grease on my latest novel-in-progress. (Would it still be elbow grease if your effort were confined to typing?) I am between projects in my “day job” as a creative director and video producer, so I have plenty of time on my hands to write fiction. Therein lies my downfall. Too much time and no specific deadline is Kryptonite to my writing.

Which is why I hate Facebook. And Twitter. And email. And the Internet in general. They are the thieves I face whenever I sit down at my computer. This week I also hate clear, blue sunny skies in need of admiring, lawns in need of mowing, and cats in need of a good scratching. In other words, I hate all the distractions that pull me away from my story. There are so many and I am, by nature, a serial procrastinator.

You see, I work out of a home office with one computer for all my personal and business needs. It’s convenient in so many ways, except. Except that Work (capital W) I do in the daytime frequently spills over into the evening, while taking care of bills and budgets and other household “paper” chores frequently encroaches on the hours I should be attending to the clients’ needs. And lost in the midst of juggling all that, multi-tasking in the worst possible sense, is the time I need for fiction. 

When I wrote my first novel, Live At Five, I was still working a morning shift at the NBC affiliate here in Austin. It was a lot easier to schedule time for fiction back then because I had a routine. Get up and go to work. Come home and complete tasks that fall into the category of life maintenance. And the hours between dinner and bed were reserved for writing. Fewer dinners out, no TV and no DVD. The schedule was set and I blocked off the hours (unofficial but fairly rigid) to find time for work, life and fiction. [LiveAtFiveSmlpic}

Now, without that structure, it feels like I’m painting, as if I’m smearing colors, one for each of those parts of life, onto a single canvas. They all run over each other and blend into one. I’m not whining, it’s a beautiful bit of art, my life is, but like an abstract painting it’s hard to focus on any one element. And when I can’t focus on fiction, both my writing and I suffer.

Which is why I love the National Novel Writers Month. If you haven’t yet heard of it, NaNoWriMo is a thirty-day challenge that starts on November 1st and runs through November 30th. Your mission, should you choose to accept it, is to write a 50,000 word novel in that time. You can register online, and each day that you add words to your novel you upload them to the site to keep track of your progress. You can set up a buddy list to monitor each other’s progress and egg each other on. And there are a number of other ways they inspire you to keep at it.

It’s like having a deadline on steroids.

1,666 words a day (average) to make the grade.

And the best part? The words don’t really matter. It’s quantity versus quality. Though in the two times I’ve taken up the challenge, both successful, I found that, for the purposes of a first draft, some of my best prose came out of a wild stream of consciousness under the threat of missing my deadline.

The NaNoWriMo challenge forces me back into the kind of writing schedule that has helped me not only complete, but publish two well-reviewed novels. For some reason, the discipline that I lack eleven moths out of the year takes a vacation every November. And so does the serial procrastinator inside me.

Larry is giving away a signed paperback to a US resident, or if you're an ereader, you can choose to get a pdf, whether you're in the U.S. or international, so leave a comment. Then zip over to Larry's website to learn more about him and his books.

Wednesday, October 02, 2013

Do you get into your characters?

I don't know about you, but I know a book-in-progress is going to be good when the characters take over. Apparently, it's not just my characters who do that. Carolyn J. Rose is here today to talk about her characters and to answer these two questions:
Do you get into your characters?
Or do they get into you?

In case you haven't already met Carolyn, let me tell you a bit about her.

Carolyn J. Rose is the author of several novels, including Hemlock Lake, Through a Yellow Wood, An Uncertain Refuge, Sea of Regret, A Place of Forgetting, No Substitute for Murder, and No Substitute for Money. She penned a young-adult fantasy, Drum Warrior, and a cozy mystery, Death at Devil’s Harbor, with her husband, Mike Nettleton, author of The Shotgun Kiss. 

She grew up in New York's Catskill Mountains, graduated from the University of Arizona, logged two years in Arkansas with Volunteers in Service to America, and spent 25 years as a television news researcher, writer, producer, and assignment editor in Arkansas, New Mexico, Oregon, and Washington. She founded the Vancouver Writers' Mixers and is an active supporter of her local bookstore, Cover to Cover. Her interests are reading, gardening, and not cooking.

(I'm totally with her on cooking!) Please welcome Carolyn J. Rose.

Do you get into your characters?
Or do they get into you?

Recently I was chatting with a group of writers and, at the risk of being told I should wear an aluminum foil helmet to block the signals, mentioned that there comes a point in my novels when I feel the characters try to take the wheel. They start suggesting plot twists and chance encounters, romantic interludes, comic moments, and dangerous dilemmas.

“You mean,” another writer asked in amazement, “your characters know you’re there?”

To me that was a no-brainer. Of course they do. And I have no problem with that, even though she seemed to feel I was breaking a cardinal rule of writing. Furthermore, it seems that I have no choice in the matter.

As I finished up the first draft of No Substitute for Maturity, the third in my Subbing isn’t for Sissies series, characters started suggesting scenes for a fourth book. I’ll take all the help I can get, even help from fictional folks, so I dutifully wrote these ideas on file cards. Will Allison learn to drive? Will Mrs. Ballantine perfect her routine for that Las Vegas reality show? Will Barb get a full-time teaching job? Will Dave propose? Will Cheese Puff have to deal with a rival for Lola’s affections?

Notice that I wrote the suggestions in the form of questions. That’s my way of telling my characters that I’m still the one in charge, the one who decides what gets on the page.

Meanwhile, the characters I developed for Hemlock Lake and Through a Yellow Wood are also haunting my dreams and invading my quiet moments. I have file cards for them, too. Fortunately—because there’s only so much room on my desk for stacks of file cards—characters from my other books seem to feel I left them in good places and so far they’re content to stay there.

I work at getting into my characters, thinking about their back stories, their skills and failings, their biggest hopes and fears, what they do if they hear a bump in the night, etc. Apparently while I was doing this my characters were getting into me.

What’s your experience with your characters? Leave a comment and we’ll put you in the drawing for the e-book of your choice from the ones I’ve written.

Thank you Carolyn - for the post and for giving away an e-book! Now, everyone...leave a comment, please.

Thursday, August 08, 2013

Christine Verstraete

Hi Helen, thanks for hosting me during my Book Launch Blog Tour for Girl Z: My Life as a Teenage Zombie, which just released! Yay!

You're welcome, Christine! For those of you who don't yet know Christine, here's a bit about her:
Christine Verstraete is a big Halloween fan who enjoys a good scare or two. Her short fiction has appeared online and in anthologies including Timeshares and Steampunk'd from DAW Books. Her new YA book, GIRL Z: My Life as a Teenage Zombie released August 1. Stop by her website at http://cverstraete.com or blogs, http://girlzombieauthors.blogspot.com and http://candidcanine.blogspot.com.

Before you link over to her website or blogs, stick around here a little longer. I'm grilling Christine with questions about her books and writing.

Q: Zombies, romance, and humor -- how do you fit all these in one story?
Christine: Carefully… ha!
Well Becca, the 16-year-old protagonist is only a part-Z  (Zombie), so a teenager still has to have some kind of life, (or un-life?) right? Other than fighting off full Zs, she has this good-looking guy she's getting to know… And when you're in the worst of times, a little humor can't hurt, though she's not too fond of her would-be boyfriend's penchant for bad zombie jokes…

Q: You've also written a children's mystery, which has a sweet and definitely not scary storyline. Did you write it before you started writing zombies?
A: My kid's mystery was out originally in 2009 (how times flies!) and as a longtime horror fan, I've gradually been letting my stories get a little darker, but they still usually have some weird quirk or a touch of humor. I can't help myself.


 Q: The cover for My Life as a Teenage Zombie is scary looking. The dark eyes, which actually are looking in different directions, totally say "zombie"! (I love it.) Did you do the cover or have input on it?
A: I did make suggestions on the cover, but the eye wasn't my idea and I have to admit I wasn't sure about it at first… but it grew on me. Since one of Becca's "quirks" after turning part Z is a sometimes "twirly" eye, it makes sense. And it's memorable, right?

Q: You do both long and short fiction. Which is easier, book length or short story and why?
A: I don't know if I can call either one "easier."  I like writing short stories, but I noticed I tended to be starting them slower, as if I were writing a longer story. You have more leisure to explore things in a book or longer story that shorter formats often don't allow, but I do love both.

 Q: Tell us one thing about yourself that you've never talked about before, be it scary, funny, or happy.
A: I used to be afraid of the dark. Really. Must've been all those monster movies I watched or scary books I read. Had to be. I mean, that thing in the closet isn't real, right?

Q: Now, in one paragraph tell us what GIRL Z: My Life as a Teenage Zombie is about.
Sixteen-year-old Rebecca Herrera Hayes' life changes forever when her cousin comes home with a deadly secret—he's becoming a zombie, a fate he shares with her through an accidental scratch. Becca becomes a part-Z (zombie), with all the weird quirks and habits no girl wants to be noticed for. But time is running out… she needs to find something, anything, to stop this deadly transformation before it is forever too late...

Click here:

* Be sure to comment to win assorted prizes. Leave an email or website to contact you. Readers can see pix of the prizes on day 1 of the tour at GirlZombieAuthors. 

Links:
Blog: GirlZombieAuthors, http://girlzombieauthors.blogspot.com

BUY:
Amazon:  *Canada - China - France - Germany - India - Italy - Japan -Spain - US - UK
*** Don't forget to follow along the rest of the tour! ***
GIRL Z: My Life as a Teenage Zombie Book Launch Blog Tour - August 5-17
Monday, 8/5 - Marian Allen asks Why Zombies?
Tuesday, 8/6 - Armand Rosamilia, http://armandrosamilia.com/
Wednesday, 8/7 - GirlZombieAuthors, http://girlzombieauthors.blogspot.com
Thursday, 8/8 - StraightFromHel, Helen Ginger, http://straightfromhel.blogspot.com/
Friday, 8/9 - Dana Wright, ZombieGirlShambling, http://zombiegirlshambling.blogspot.com/
Saturday, 8/10 - GirlZombieAuthors, http://girlzombieauthors.blogspot.com
Monday, 8/12 - AR Von, Dreamz of Dragons, http://dreamzofdragons.blogspot.com/
Tuesday, 8/13 - B. Swangin Webster, Books, Shoes, Writing, http://booksshoeswriting.blogspot.com/
Wednesday, 8/14 - DB Corey, http://dbcorey.blogspot.com/
Thursday, 8/15 - Wrap-up - GirlZombieAuthors, http://girlzombieauthors.blogspot.com
Friday, 8/16 – Austin Camacho, Another Writer’s Life, http://ascamacho.blogspot.com

Saturday, 8/17 – Winners announced after 12 noon Central – GirlZombieAuthors, http://girlzombieauthors.blogspot.com

Saturday, June 29, 2013

Publishing Tidbits 6/28/13

Becky Thomas has joined Ben Mason at the literary agency Fox Mason Ltd in the UK. She was previously at William Morris Endeavor.

Founder of Bloomsbury Children's US in 2001 Victoria Wells Arms [left] the company at the end of June, and will start Wells Arms Literary in September.

On another note, the winner of Emeralds of the Alhambra by John D. Cressler is Bob Sanchez. Congratulations Bob.

Wednesday, June 19, 2013

Emeralds of the Alhambra

Today we have a guest poster: Dr. John D. Cressler. Dr. Cressler spent 8 years at IBM Research and 10 years at Auburn University before joining Georgia Tech in 2002.  Emeralds of the Alhambra is the TED talk presenter’s debut novel.  Connect with John on Facebook, Google+, Twitter, and GoodReads.

Dr. Cressler will be giving away a paperback copy of his latest book. Later in this post, he'll tell you how to enter your name for the giveaway.


Dr. John D. Cressler, Author of Emeralds of the Alhambra


 As a non-fiction author, professor and scientist, I come to the noveling business from a unique vantage point. For my first ten years of writing, I published five non-fiction books. My great love remains, however, historical fiction, and in 2009 I decided it was finally time to write a novel. Emeralds of the Alhambra, my debut historical novel, an interfaith love story set in medieval Muslim Spain, was just released by Sunbury Press. That transition from non-fiction author to novelist was a fascinating one, and exceptionally rewarding. While I suspect I will never return to writing non-fiction, I do think my fiction benefits from my non-fiction career. Let me explain.

Writing non-fiction and fiction are very different, in many obvious ways: tone, narrative style, subject matter. I find that writing fiction requires much more contact with my material, a daily obsession of sorts. What I most enjoy about writing fiction are the nearly constant unanticipated discoveries in plot and character, the unexpected twists and turns.

 Emeralds, before pen ever met paper, I first mapped out the plot in several dozen pages, to bind the themes and characters to historical events, describing in bold strokes what I thought should happen. The magical part of the creative process with fiction is that inevitably the characters and plot threads begin to deviate from plan, assuming a life of their own. I love this! On an almost a daily basis, as I was driving to work, thinking about my characters still, retracing the plot threads, thoughts would spontaneously jump into my head: “Well, of course, she needs to do this!” or “Obviously this needs to happen.” These were things that I had never anticipated during my initial planning phase, but were birthed from the creative energy of noveling. While the broad strokes of the story remained at the end of the day, the nuances of plot and character evolved in fascinating ways. That creative aspect is unique to fiction, profoundly satisfying, and something I never experienced writing non-fiction.

All that said, I do believe my background in writing non-fiction has served me well as training for my fiction writing. Writing non-fiction forced me to be a detail person, comfortable with facts and figures and dates and people. Emeralds tells an epic story, so being able to balance multiple intricate plot threads with a large cast of characters was key, and my non-fiction writing made me quite comfortable doing that. I think my scientific background (physics and math), my vivid imagination, and my artistic sensibilities also helped me in my description of the magical art and architecture of the Alhambra Palace in Granada (the setting for Emeralds).

In addition, topical relevance was always a big deal with my non-fiction. I attempted to craft books that people needed to read, that were relevant to their lives. Especially in my non-fiction sculpted for general audiences (Silicon Earth and Reinventing Teenagers) this was always my key concern. With Emeralds, this aspect of relevance was also priority #1. I wanted to tell a great story, yes, but I wanted it to be relevant to a modern reader, not just a good yarn set in antiquity.

After quite a bit of research, I found a period of history that suited my goals perfectly: medieval Muslim Spain. As all would agree, our modern world is stained with the blood of religious conflict and fanaticism, and yet somehow we managed to forget that for hundreds of years in medieval Spain, Christians, Muslims and Jews found a way to live together in relative peace, sharing languages and customs, whispering words of love across religious boundaries, embracing a level of mutual acceptance and respect unimaginable today. Together, they launched one of the great intellectual and cultural flowerings of history. My fiction is intended to break open this fascinating time period in an engaging manner (a love story). Relevant to 2013? You bet it is!

Is my fiction better for having non-fiction roots? Definitely. While it is fiction full-steam-ahead for this author, my non-fiction background will always be treasured as a foundation for better, more relevant novels.

Thank you Dr. Cressler.

And now, here's how to win a copy of Dr. Cressler's book. 
1.You'll need to be located in the U. S. 
2. Answer the following question in your comment.

Question to qualify U.S. commenters to be eligible to win a signed paperback:
What was it about medieval Muslim Spain that makes it especially relevant for modern readers?



Tuesday, June 11, 2013

Don’t Club Your Reader With Your Message


 Today, Carolyn J. Rose is posting here on Straight From Hel.

Carolyn is the author of several novels, including Hemlock Lake, Through a Yellow Wood, AnUncertain Refuge, Sea of Regret, APlace of Forgetting, No Substitute for Murder. She penned a young-adult fantasy, Drum Warrior, with her husband, Mike Nettleton.

She grew up in New York’s Catskill Mountains, graduated from the University of Arizona, logged two years in Arkansas with Volunteers in Service to America, and spent 25 years as a television news researcher, writer, producer, and assignment editor in Arkansas, New Mexico, Oregon, and Washington. She founded the Vancouver Writers' Mixers and is an active supporter of her local bookstore, Cover to Cover. Her interests are reading, gardening, and not cooking.

Welcome, Carolyn.

Don’t Club Your Reader With Your Message

As a substitute teacher, when I’m not giving instruction I like to blend into the background, to be there if I’m needed to answer questions and explain directions for projects, but otherwise to be unobtrusive. My goal is to keep the focus on the lesson, to help kids learn and think, not to influence their thinking by telling them what I think.

The same philosophy can be applied to writing fiction. For me, the story unfolds more smoothly if the writer blends into the background and deflects attention from himself/herself.

An author who intrudes into the story to belabor a point, express an opinion, provide far too much background information on a subject, or make sure the reader “gets it,” is taking time and attention away from characters and action. When the author ceases to work behind the scenes through characters’ thoughts and dialogue, the flow of the story can be disrupted. That, in turn, can disrupt the reader’s involvement.

Sometimes the reader feels clubbed over the head with the author’s message. A clubbed reader—even one in agreement with the message—may skip passages or even put the book down.

As an extreme example, let’s say I have strong opinions about chunky peanut butter.

Here’s that message delivered in what I call a character rant. The character is channeling the author who is obviously up on his/her soapbox expounding, lecturing, and dumping opinions like a load of wet cement.

Carla added a giant jar of peanut butter to her shopping cart. Smooth, of course. The chunky stuff was gritty and stuck in her teeth. On top of that, it demonstrated laziness and carelessness on the part of producers—and lack of respect for the correct way to do things. Chunky peanut butter represented all that was wrong with the United States. Standards had slipped appallingly in the past fifty years and politicians were only greasing the skids for further decline. It was all the fault of the Supreme Court. No, it was the fault of those men who wrote the Constitution. That document was far too vague. There was too much leeway. Far too much room for interpretation. And it didn’t help that . . .

And on and on and on, in huge, dense paragraphs.

Now let’s put that message in short bursts of dialogue to make it more interesting and easier on the eye. And let’s go a step further and allow another character to challenge Carla. That lets us examine the peanut butter issue from other angles and learn more about both characters as they debate it.

Carla plucked a jar of smooth peanut butter from the shelf and set it in the shopping cart.

“Can’t we get crunchy?” Alex asked.

“Crunchy?” She frowned at her four-year-old grandson. “Crunchy is gritty.”

He nodded and swung from the handle of the basket. “I like that.”

She shuddered. “It sticks in my teeth.”

“I like that too.” He grinned. “That way I have some for later.”

Carla narrowed her eyes. Was he baiting her? No, surely not. He was too young. But it appeared this innocent child was becoming a tool for his mother’s liberal agenda. Well, since her son apparently was doing nothing about it, it was up to her to set Alex straight.

“Crunchy peanut butter is inferior,” she told him. “It’s what you get when workers no longer take pride in what they produce.”

Rubbing the end of his nose with his index finger, Alex gazed up at the display of peanut butters.

“Pay attention, Alex. My father wouldn’t tolerate crunchy peanut butter in his house and I won’t either. It’s a symbol of what’s wrong with this nation!”

“Okay.” Alex turned and peered into the shopping cart. Then, using both hands, he lifted a carton of orange juice and thrust it toward her. “Then I guess we gotta put this back.”

Carla gaped. “Why would we do that?”

“On accounta the guys who made it didn’t do their job ’cause it still has pulp in it.”


Ooops.

Carla has been painted into a philosophical corner.

Double oops.

I’m right there with her because she was expounding on my theory—a theory that seems to have some holes in it that I didn’t notice until Alex challenged it.

How will I write her out of this corner? Will she amend her rule to explain this contradiction? Will she re-examine her beliefs? Or will she defend them? Will I change my tune about chunky peanut butter?

You tell me.

Use the comment space below and get your name into the drawing for a copy of my latest book, No Substitute for Money.

Thursday, February 28, 2013

Headstrong Girls Dabble into New Territories

 Our guests today are June Williams and Enid Wilson. Enid has been a long term friend of Straight from Hel, and June visited here last year to promote Honor and Integrity. They, with Debra Anne Watson, are co-authors of "Headstrong Girls," a new collection of writings inspired by Jane Austen.

June, Enid and Debra Anne met online in a Jane Austen community. After reading each other's stories for years, they decided to publish a collection together, with each person writing one third of the content – and collaborating on a tag-along story.

Helen: Enid, long time no see, where have you been to?

Hi, Helen and friends of Straight from Hel, I’ve been busy at work and then recently I went for a road trip in Florida, not to mention, I got my first tooth extracted when I returned.

Helen: Yikes, that sounds painful. I hope you’re better now. But Florida? You could have come to Hel. 

I’m better now, after being scolded by my dentist for eating too much sweet food. I blamed Florida, haha. I wish I could have gone to Hel, but my boyfriend is a “beachaholic.” Do you have beaches in Hel? *wink* It was great fun to see alligators and manatees in the Everglades, Key West and Fort Myers, not to mention the glamorous people on Miami beaches and on a cruise to Bahamas.

Helen: That sounds great fun! So the road trip provided you with a lot of inspiration?

Definitely. For example, I’ve dabbled into writing a short film script in the new book Headstrong Girls. It’s a time-travel piece, featuring some greedy people trying to kidnap Jane Austen into the future. It was very difficult to write, but quite satisfying. June is more knowledgeable than me about different forms of writings.

June: I’ve studied writing and journalism; written for advertising, magazines, and technical manuals; and dabbled in drabbles, short stories, novels, and film scripts. A film script has very little description – almost nothing about clothing, appearance, setting, or tone of voice. In a real movie, those things are determined by the director and actors; the writer has to give them room for their artistic interpretation. Scripts also have few thoughts for characters; if a character doesn’t say it or show it by his actions, then it’s not in the script. Often, the audience has to decide what a character is thinking. Honestly, I am very grateful to not have to write too much detail – I’ve seen some authors write pages of nothing but two people kissing and thinking. Bah, humbug!

Helen: Too much description can be a turn off! What about the short stories in the book? How are they different? We’ve both veteran and newbie writers visiting this blog. It will be good to hear your take about the differences.

June: Unlike a novel, a short story usually starts in the middle of a storyline and ends abruptly, with very little exposition and introduction. Since most of our stories in the book feature characters from Jane Austen novels, we could easily get away with little introduction, especially since some Pride and Prejudice characters – Mr. Darcy, Elizabeth Bennet, George Wickham – have almost become archetypes of hero, heroine, and villain. In Headstrong Girls, we started with characters and put them in challenging storylines and settings. For example, Debra Anne put Darcy and Lizzy in a South African preserve. Enid created a smarter Charles Bingley who schemed to court Jane Bennet behind his snobbish sisters’ interference, and I had a Wickham with many false names romancing wealthy and unsuspecting young women. But we could have started with storylines and then picked the characters – not necessarily Lizzy and Darcy. That’s a fun creative exercise for writers, to pick the least likely characters to do things.

Helen: So how did the three of you split up the work for creating Headstrong Girls? 

June: This is my second time publishing, but it’s different from the first time – I’m doing more proofreading and formatting of the final product. Debra Anne is the newbie, but she is a veteran editor, so she catches almost everything, especially missing commas. Enid is the one with the whip, just kidding, chasing us about deadlines.

Enid: Me with a whip? That’s an inspiration for another story. We all speak the same language but still had some language discussions. In a story set in 1812, I used the exclamation, “Bullock!” June thought it was supposed to be “bollocks” until Debra Anne explained that “bullock” once meant “cheat,” which fit the story scene.

June: Yes, it needed nearly ten emails before we agreed on what to do about “bullock.” And then, in a modern story, Debra Anne had a character exclaim, “Oh my god!” which I thought should have been capitalized – until I learned that English has changed in just the past few years, and god/God now depends on several factors.

Helen: That sounds like another stimulating discussion, about god/God. So the fruit of your labor and heated debate is available now?

Enid: Yes, Headstrong Girls, a bit of mystery, a bit of love, all inspired by Jane Austen, is available in any good ebook store. We are giving out an ebook to one lucky reader here.

June: Just leave a comment here about some heated discussions you have with your writing friends.

Helen: Entry is open to worldwide readers and closes on 18 March 2013. Happy reading and writing! Thank you, Enid and June. 

Enid and June: Thank you, Helen!

Helen: I hope everyone will link over to Amazon or Smashwords and take a look at Headstrong Girls, buy it, read it, and, if you like it, write a review. Again, thank you Enid and June for such a fun interview.

Tuesday, February 19, 2013

Writers, Don’t Let Rules Box You In



Carolyn J. Rose is the author of several novels, including Hemlock Lake, Through a Yellow Wood, An Uncertain Refuge, Sea of Regret, A Place of Forgetting, and No Substitute for Murder. She’s now at work to a second substitute teacher cozy mystery, No Substitute for Money, and hopes to have it out this summer.
She grew up in New York's Catskill Mountains, graduated from the University of Arizona, logged two years in Arkansas with Volunteers in Service to America, and spent 25 years as a television news researcher, writer, producer, and assignment editor in Arkansas, New Mexico, Oregon, and Washington. She founded the Vancouver Writers' Mixers and is an active supporter of her local bookstore, Cover to Cover. Her interests are reading, gardening, and not cooking.

Please help me welcome Carolyn J. Rose

Writers, Don’t Let Rules Box You In

Rules.
Regulations.
Guidelines.

Like it or not, we all live by them.
At least some of the time.
And to some extent.

Some rules are imposed on us by nature, others by family, school, society, and government—there are requirements for food, water, and shelter, mealtimes and curfews, assignments and tests, traffic laws, taxes, etc. If we ignore the rules, or flaunt them too often, there may be consequences—illness, accidents, fines, incarceration, or worse.

Then there are the rules we make for ourselves—some for excellent health or safety reasons. We avoid certain areas of town after dark, we check to make sure our doors are locked, and we read ingredients to prevent allergic reactions.

There are also rules—sometimes ill-conceived—that we make in an effort to enhance relationships. We let that other person select the movie or pick the restaurant or control the remote. We hold on to a particular hairstyle or color. We espouse a candidate or political party—or at least pretend to until we’re alone and marking a ballot.

There are rules based on superstitions. We might avoid stepping on a sidewalk crack or refuse to walk under a ladder. We might knock on a door exactly three times.

And then there are rules we make simply because we’ve reached an age where we can set standards for ourselves—no matter how ludicrous others may think they are. One friend has a policy of never seeing a movie that her mother-in-law recommends. Another won’t eat orange vegetables. A third refuses to dine at a restaurant that advertises both Chinese and American food because he’s convinced neither kind will be good. And a book club member won’t read a book if she finds a simile on the first page.

Lately, I’ve made an effort to be more flexible and easy-going about rules. (Except for the one about refusing to go to any place that requires me to wear a dress.) I fear that the more rules I develop, the more difficult it may be to discard or alter any of them, and the more rigid I may become.

As a writer, rigidity—outside of an effort to meet production goals—can be deadly. Too many rules about number of point-of-view characters allowed in a story, complete sentences in dialogue, paragraph length, or the “correct” words for attributions can have the same effect as drilling a hole in your head and pouring cement on your brain.

To free up my writing, especially in a first draft, I work to define my writing—and my characters’ thoughts and words—less by rules followed than by rules broken.

That, I confess, sometimes makes me uneasy. But uneasiness sparks creativity.

And, if I get too apprehensive or too insecure, I can always grab for a few guidelines.

Leave a comment and tell me about one of your rules—the best, the worst, the most vital, or the silliest—and get in the drawing for an e-copy of one of my books.

Monday, January 21, 2013

Angel Sometimes Giveaway

The fabulous author, Diane Fanning, is doing a giveaway on her Facebook page. She's giving away a copy of my book, Angel Sometimes! (That's not why she's fabulous -- she's fabulous because she's a great writer.

If you want to join in and have a chance of winning a copy of Angel Sometimes, just link over and leave your guess of how many goldfish are in the container.

Tuesday, November 27, 2012

That Voodoo That You Do, Dr. Mesmer!



Please welcome O.M. Grey. She's guest posting today.

Animal Magnetism. When we hear those words now, we think of some steamy chemistry between us and the object of our desire, but the original term was coined by Dr. Franz Mesmer, a German physician from the 18th century. He used the term to describe the relationship between humans and everything else. The concept was based on the theory that everything in the universe is somehow connected. Mesmer believed that the life force, or "vital fluid," within a person could get blocked, interrupting the natural flow and causing illness. It's quite similar to the Chinese "Chi" and other Eastern Traditions and Medicines. Although Dr. Mesmer isn't really known for animal magnetism, he is more known for Mesmerism, a term stemming from his own name. Dr. Mesmer would sit before his patients and look deeply into their eyes, whiles his hands hovered all over the bodies. These people felt deep changes and often went into convulsions. Mesmer's followers were amazed at the altered states of these people and the power of suggestion. They took mesmerism across Europe throughout the late 18th and early 19th centuries.

A Scottish Physician named James Braid took the practice of Mesmerism a step further, coining the term "hypnotism." Braid practiced his expanded method extensively as well as gave lectures on the subject. He is known as the Father of Modern Hypnosis and is the first hypnotherapist. 

The mad psychiatrist Dr. Zachariah Pilkington in The Zombies of Mesmer was a student of Dr. Braid's, but normal hypnotism wasn't enough for Dr. Pilkington. With it, he mixed steampunk technology in order to mesmerize masses. First he used it as a means to control his rowdy patients at Bedlam, but then his delusions of grandeur took over. This sociopath builds an entire army of mesmerized zombies, and he has set his sights on controlling Queen Victoria, herself, in order to rule England and thereby the world. It is, of course, up to Nickie Nick to stop him.

The Zombies of Mesmer - Blurb
Follow Nicole Knickerbocker Hawthorn (Nickie Nick) as she discovers her destiny as The Protector, a powerful vampire hunter. Ashe, a dark and mysterious stranger, helps Nickie and her friends solve the mystery behind several bizarre disappearances. Suitable for teens, enjoyed by adults, the story is full of interesting steampunk gadgets, mad scientists, bloodthirsty vampires, and mesmerized zombies. This paranormal adventure is sure to appeal to fans of Boneshaker, Buffy the Vampire Slayer, and the Vampire Diaries.

Steamy magnetism and sultry mesmerism find their way into most of my romantic work. Even the darker side of seduction, a more realistic look at some liaisons, containing things like betrayal and manipulation, have their place on the pages of my fiction and nonfiction, alike. Please read more on my blog Caught in the Cogs where you can find a plethora of relationship essays, mostly focused on the darker side of love and alternative relationships, as well as free fiction, podcasted fiction and nonfiction, and love poetry. 


Special thanks to Helen for hosting me and my Gothic Victorian Holiday Giveaway today. This package includes all three of my books (The Amazon.com Gothic Romance best-selling novel Avalon Revisited, the YA Steampunk Paranormal Romance The Zombies of Mesmer, and my collection of short stories, love poetry, and relationship essays Caught in the Cogs: An Eclectic Collection), all gift-wrapped in Victorian finery and  adorned with a wax seal and a handmade antique gift tag. I drew the bird illustration myself, and the back will have the recipient and gift-giver penned in calligraphy. On top of all this, you will also get your very own Amigurumi Voodoo Doll, crocheted by me. It comes with its very own pin, so you can do what you will to whomever you will. Visit my blog today for folklore on the Voodoo Doll and how to personalize your very own Voodoo Doll, as well as the Amigurumi pattern I used to create this little guy.

  
Enter to win this great giveaway simply by commenting below and asking me a question. The contest is open through Friday, November 30th. I'll be announcing the winner on December 1st over on my blog as well as in the comments here. Your comment below gives you one entry. Gain more entries by Tweeting, sharing on Facebook, Tumblr, and Goodreads. 5 more entries for each share, just be sure to make a note of what you do and where you share in the comments below. If you tweet, make sure and tag me @omgrey. PLUS, you can gain 25 more entries for buying one of my books, either in paperback or on Kindle/eBook. Just state that you did so below and email a copy of your receipt to steampunkgrey (at) gmail.

Each day this week I'm visiting a different blog and giving away something new. Join me around cyberspace and enter often! Check my blog for the entire schedule and see how you can win A KINDLE!

Buy The Zombies of Mesmer on Amazon in paperback or the Kindle . Buy Avalon Revisited on Amazon in paperback or on the Kindle, also available via Barnes & Noble and wherever books are sold. Buy Caught in the Cogs in paperback or on the Kindle .
Please find out more about me and my work, listen to free podcasts, read free short stories and poetry, and get author-signed books on my blog Caught in the Cogs . I would also simply love for you to connect with me on social networks like Facebook, Twitter, and GoodReads. Indeed!
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